Thank you, Alan. I was hoping DonB would answer, but the more the merrier 🙂
Thank you, Alan. I was hoping DonB would answer, but the more the merrier 🙂
@DonaldB has written: @IliahBorg has written: @DonaldB has written:the largest and most successful image editing company in the world has it wrong on common photography terms used.
Yes, easy. Here is another example how wrong they can be:
"When you do override your camera and choose a specific ISO you’ll notice that it impacts the aperture and shutter speed needed for a well exposed shot. For example – if you bumped your ISO up from 100 to 400 you’ll notice that you can shoot at higher shutter speeds and/or smaller apertures."which part dont you understand.?. if you want to shoot sports be my guest and shoot at iso 50 f22 at 5 secs. cant wait to see you images
Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
i like to see my reasults in camera so i will increase iso 100% a sharp image with noise is better than a fuzzy image with less noise.
@DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
That was pretty much my understanding before all these threads on noise, iso and dynamic range.
I no longer believe that is exactly correct for modern sensors.
does anyone know what the exposure control is used for in ACR
I use it to various extents on all images but it doesn't actually alter the exposure* because obviously you cannot adjust the amount of light that hit the sensor while the shutter was open.
The exposure slider adjusts the image lightness.
* exposure - amount of light that struck the sensor per unit area while the shutter was open
** optimal exposure - the maximum exposure* within dof and motion blur requirements without clipping important highlights.
*** under exposed - more exposure* could have been added with the DOF and blur constraints still being met without clipping important highlights.
@DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
@DavidMillier has written: @DonaldB has written: @IliahBorg has written: @DonaldB has written:the largest and most successful image editing company in the world has it wrong on common photography terms used.
Yes, easy. Here is another example how wrong they can be:
"When you do override your camera and choose a specific ISO you’ll notice that it impacts the aperture and shutter speed needed for a well exposed shot. For example – if you bumped your ISO up from 100 to 400 you’ll notice that you can shoot at higher shutter speeds and/or smaller apertures."which part dont you understand.?. if you want to shoot sports be my guest and shoot at iso 50 f22 at 5 secs. cant wait to see you images
Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
i like to see my reasults in camera so i will increase iso 100% a sharp image with noise is better than a fuzzing image with no noise.
I think you misunderstand the scenario. I'm assuming here that the photographer has raised the shutter speed to get a sharp image. This has resulted in 4 stops of underexposure and a very dark image.
The question is what happens to the final image quality if we solve this problem in two different ways:
1) We boost ISO by 4 stops
2) We leave it at base ISO and simply deliberately underexpose by 4 stops, then brighten the image 4 stops in post.
What effect do you think these two strategies will have on the noise level in the final image?
@DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
That was pretty much my understanding before all these threads on noise, iso and dynamic range.
I no longer believe that is exactly correct for modern sensors.
My understanding has always been that if you have highlight headroom and you cannot increase exposure* then raising ISO at least to where the camera becomes iso-invariant will have visible noise reduction benefits in post. In my experience, especially in very low light scenes the noise reduction benefit is noticeable.
* exposure - amount of light that struck the sensor per unit area while the shutter was open
** optimal exposure - the maximum exposure* within dof and motion blur requirements without clipping important highlights.
*** under exposed - more exposure* could have been added with the DOF and blur constraints still being met without clipping important highlights.
@DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
Which settings? Raising ISO or just brightening in post? I'd be grateful if you answer my original question directly, without obfuscation or changing the meaning or answering a slightly different question. I believe an honest answer will reveal precisely your real understanding of all this stuff.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
Nope, not true at all.
@DavidMillier has written: @DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
That was pretty much my understanding before all these threads on noise, iso and dynamic range.
I no longer believe that is exactly correct for modern sensors.
My understanding has always been that if you have highlight headroom and you cannot increase exposure* then raising ISO at least to where the camera becomes iso-invariant will have visible noise reduction benefits in post. In my experience, especially in very low light scenes the noise reduction benefit is noticeable.
* exposure - amount of light that struck the sensor per unit area while the shutter was open
** optimal exposure - the maximum exposure* within dof and motion blur requirements without clipping important highlights.
*** under exposed - more exposure* could have been added with the DOF and blur constraints still being met without clipping important highlights.
I'm basing my new understanding on Jim Kasson's and Iliah's responses in other threads. I'll set it out once Don answers. We can quibble over details after that 🙂
C'mon Don, don't go silent on us now! This will be useful for all of us.
@DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
Consider Nikon D850. Changing ISO setting from 400 to 25600 while keeping exposure doesn't result in any practical improvement of noise, but highlights clip earlier.
Pretty much the same story with Sony 7R M5, 400 to 12800.
@DonaldB has written: @DavidMillier has written: @DonaldB has written: @IliahBorg has written: @DonaldB has written:the largest and most successful image editing company in the world has it wrong on common photography terms used.
Yes, easy. Here is another example how wrong they can be:
"When you do override your camera and choose a specific ISO you’ll notice that it impacts the aperture and shutter speed needed for a well exposed shot. For example – if you bumped your ISO up from 100 to 400 you’ll notice that you can shoot at higher shutter speeds and/or smaller apertures."which part dont you understand.?. if you want to shoot sports be my guest and shoot at iso 50 f22 at 5 secs. cant wait to see you images
Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
i like to see my reasults in camera so i will increase iso 100% a sharp image with noise is better than a fuzzing image with no noise.
I think you misunderstand the scenario. I'm assuming here that the photographer has raised the shutter speed to get a sharp image. This has resulted in 4 stops of underexposure and a very dark image.
The question is what happens to the final image quality if we solve this problem in two different ways:
1) We boost ISO by 4 stops
2) We leave it at base ISO and simply deliberately underexpose by 4 stops, then brighten the image 4 stops in post.What effect do you think these two strategies will have on the noise level in the final image?
as i said you wont have a sharp image if its not in focus having a fast shutter speed doesnt give you a sharp image. if you shooting action and pan you need to see the image the evf and track it. what if your shooting video ?
if you shooting action and pan you need to see the image the evf or OVF and track it. what if your shooting video ?
Fixed another post.
@DonaldB has written: @DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
Which settings? Raising ISO or just brightening in post? I'd be grateful if you answer my original question directly, without obfuscation or changing the meaning or answering a slightly different question. I believe an honest answer will reveal precisely your real understanding of all this stuff.
understanding are you kidding ! do you shoot video ? underexposed at 4 stops ? my understanding is i never shoot at 4 stops underexposed period . what sort of photographer are you a hypothetical one ? shoot a black backdrop 4 stops under and its unrecoverable period.
@DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
Consider Nikon D850. Changing ISO setting from 400 to 25600 while keeping exposure doesn't result in any practical improvement of noise, but highlights clip earlier.
Pretty much the same story with Sony 7R M5, 400 to 12800.
I am confused about what you mean because if the exposure* is maxed out and there is highlight headroom I would raise ISO only to just below highlight clipping so I still would not have clipped highlights.
@DavidMillier has written: @DonaldB has written: @DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
Which settings? Raising ISO or just brightening in post? I'd be grateful if you answer my original question directly, without obfuscation or changing the meaning or answering a slightly different question. I believe an honest answer will reveal precisely your real understanding of all this stuff.
understanding are you kidding ! do you shoot video ? underexposed at 4 stops ? my understanding is i never shoot at 4 stops underexposed period . what sort of photographer are you a hypothetical one ? shoot a black backdrop 4 stops under and its unrecoverable period.
You are still not directly answering the question. Which of these solutions gives the lowest noise in this scenario. Come on, it's not a hard question to understand:
1) Raising the ISO by 4 stops to avoid camera shake
2) Leave the ISO at base, raise the shutter speed to avoid camera shake and deliberately underexpose by 4 stops, then brighten in post
@DavidMillier has written: @DonaldB has written: @DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
Which settings? Raising ISO or just brightening in post? I'd be grateful if you answer my original question directly, without obfuscation or changing the meaning or answering a slightly different question. I believe an honest answer will reveal precisely your real understanding of all this stuff.
understanding are you kidding ! do you shoot video ? underexposed at 4 stops ? my understanding is i never shoot at 4 stops underexposed period . what sort of photographer are you a hypothetical one ? shoot a black backdrop 4 stops under and its unrecoverable period.
Your definition of underexposed is clearly different to what David meant by underexposed. Why am I not surprised...hmmmm...
This is typically what happens when people adopt a misconception of what exposure* actually is.
* exposure - amount of light that struck the sensor per unit area while the shutter was open
** optimal exposure - the maximum exposure* within dof and motion blur requirements without clipping important highlights.
*** under exposed - more exposure* could have been added with the DOF and blur constraints still being met without clipping important highlights.
@DonaldB has written: @DavidMillier has written: @DonaldB has written: @DannoB has written: @DavidMillier has written:Here's a simple non-technical question to test your photographer's understanding.
Scenario: A low light situation where you need a fast shutter speed to avoid camera shake and freeze action. You set an appropriate shutter speed and notice that your image is 4 stops underexposed. You are already at maximum aperture. What do you do? You have to decide whether to boost ISO by 4 stops or just accept the underexposure and brighten in post.
Q. What do you think will happen to the resulting image quality in both cases?
If I have highlight headroom in the cameras histogram and I cannot increase the exposure* then I would raise ISO to push the histogram data as far to the right as possible without clipping important highlights. This will reduce reduce read noise and then lower the image lightness in post back to what I wanted.
The resultant image will have less visible noise than if I didn't raise ISO and raised the image lightness in post.
now reality, shooting a dance concert. with lights flashing every where. subjects highlighted then completely dark mixed lighting. you would go home with no keepers i can guarantee with your setting's.
Which settings? Raising ISO or just brightening in post? I'd be grateful if you answer my original question directly, without obfuscation or changing the meaning or answering a slightly different question. I believe an honest answer will reveal precisely your real understanding of all this stuff.
understanding are you kidding ! do you shoot video ? underexposed at 4 stops ? my understanding is i never shoot at 4 stops underexposed period . what sort of photographer are you a hypothetical one ? shoot a black backdrop 4 stops under and its unrecoverable period.
Your definition of underexposed is clearly different to what David meant by underexposed. Why am I not surprised...hmmmm...
This is typically what happens when people adopt a misconception of what exposure* actually is.
* exposure - amount of light that struck the sensor per unit area while the shutter was open
** optimal exposure - the maximum exposure* within dof and motion blur requirements without clipping important highlights.
*** under exposed - more exposure* could have been added with the DOF and blur constraints still being met without clipping important highlights.
Danno
I'd like Don to answer the question in black and white. Depending on which answer he gives, we will have a clear statement as to how he thinks noise in generated and mitigated. I'm trying to stop him wriggling out of answering clearly (Don it's not a trap, just a diagnosis, please answer!), it would be easier if we can focus on this point for a bit.