But then I’d need the standard M11 for colour work - and I know that neither would make me a better photographer, I’d just enjoy producing my cr*p photos a whole lot more! (Whilst sleeping in the streets and starving) 😭
On a similar note, early Sigma compacts had black engraved-but-not-filled buttons which were not real clear ... later models had the text filled in with white enamel ...
The beauty of the Leica Monochromes goes by the the original M Monochrome - or the Henri. Henri Cartier-Bresson was know for the black electrical tape applied to the chrome on his M3 to keep light for reflecting off and ruining his decisive moment. The original M Monochrome was all black with no red dot in his honor. Every Lecia Monochrome has been the same from the M10 to the M11 to the Q2M. It simply pays homage to the master. Absolutely nothing wrong with that. While one still needs the skill to stay stealth with a camera on the street - it is quite a bit easier when there is no chrome or big red dot on the camera body.
At the end of the day I appreciate the all flat black Q2M when I am wondering around on the street.
I had an M9 at one point. I adored the images that came out of that camera (except in low light). Converted to B&W, the images were nothing short of stunning. Unfortunately, I was about as good at quickly focusing as I am at playing goalie in the Stanley Cup. I was just missing far too many shots (even ones without motion as my eyes are just not as young as they once were). No focus leaking on the M9 either. With regret, I sold the body and lenses. The M11, mono or full color, is likely an amazing tool for those with better focusing skills than me!!!!
The key is to stop down a bit and use zone focus. Think about typical travel photos- use a 35mm/f5.6/put the focus near infinity. Keeper rate goes up significantly.