It's always tough narrowing down a set of favourites from the year, but after a few rounds of sifting through hundreds of images, this is what I've settled on, presented here in order of date taken.
Sunset Over Round Loaf
Round loaf is a Bronze Age bowl barrow, situated slap bang in the middle of Anglezarke moor. On this occasion I wasn't actually visiting Round Loaf itself, but had taken a wander up to Standing Stones Hill, which overlooks the moors. I arrived there as sunset approached. This view is looking West towards the Irish Sea, with Round Loaf itself sat on the right hand third of the image. On the horizon just to the right of this you can see the silhouette of Blackpool Pleasure Beach, roughly 30 miles away on the coast.
Nikon Z8 + NIKKOR Z 100-400mm f/4.5-5.6 VR S
The Nab
This was taken from the ridge at the top of the quarries of Black Coppice, looking towards Healey Nab, generally just known locally as The Nab. I seem to recall getting absolutely battered with midges when taking this shot, but it's one of my favourite shots of this little patch of Lancashire from this year.
Fujifilm GFX100S + Fujinon GF45-100mm F4 R LM OIS WR
Aurora On The Moors
In a year of many challenges for me, one of my more uplifting experiences was finally seeing the aurora in all its glory and in my home town right here in Lancashire too. Occasionally it can be visible from here as a faint green glow on the northern horizon if you can find an unobstructed view, but on this occasion, the really vibrant colours could be seen looking more or less directly overhead, where the corona was raging. This made it difficult to photograph as looking straight up didn't leave much in the way of foreground objects to compose against it.
I had planned to head up to the top of Black Coppice (where the previous picture was taken), which would have made an excellent vantage point, but my friend's dog refused to climb the stile leading up there (and he's too big to lift over), so we had to improvise and instead took a number of shots from lower vantage points around White Coppice. After midnight the intensity waned, but we decided to head up onto the elevated moor to get a better view of the horizon.
When we reached the ruins of Coppice Stile House, easily identified by the large Hawthorn tree that dominates the site, most of the visible aurora had moved further North in the sky, so I was able to line up this shot of it above the Hawthorn tree (also helped by the fact I was stood down the slope from the tree). There's some light painting of the tree with a wafty torch to help pick it out against the pitch black moors.
This was an amazing experience that I hope I never forget.
Nikon Z8 + NIKKOR Z 14-30mm f/4 S
Dark Sunset
Taken while scouting a new location one evening. The sudden appearance of colour in the sky caught me off guard as it had been a grey overcast evening and I had very little time to find a location where I could take advantage of the spectacular colours that were emerging. This was taken after hopping (hopping is overselling it, more like awkwardly floundering) over a wall and quickly scrambling up the side of the dam on the western edge of Anglezarke reservoir. I was quite surprised to later discover a far more civilised path and gate leading back to the road after taking this photo.
Fujifilm GFX100S + Fujifilm Fujinon GF32-64mm F4 R LM WR
The Course of Black Brook
This is a view taken from a point on the moors overlooking Black Brook as it meanders along its final stretch down towards the hamlet of White Coppice, marking the division between the hills of Black Coppice (on the left) and White Coppice (on the right) as it goes. Following the line of the valley towards the horizon you can see the prominent steeple of the Mormon Temple that sits beside the motorway junction at Chorley. This was another pleasant evening in May, marred only by the vast number of midges treating me like a walking buffet (in the original 100MP image, you can see the air is full of the little bitey sods).
Fujifilm GFX100S + Fujinon GF45-100mm F4 R LM OIS WR
Cow
Taken on a return visit to the area around Ings in The English Lake District. It's not my usual style, but I love the colours and rendering of the cow and the grass. Taken with one of my favourite lenses, the Nikkor 24-70 f/2.8S, a heavy lump for sure, but well worth the effort required to carry it around the hills.
Nikon Z8 + NIKKOR Z 24-70mm f/2.8 S
Summer Solstice Sunset at Pikestones
Pikestones is another Bronze Age burial site, this time situated on the edge of Anglezarke moor, positioned in such a way that a straight line drawn between this and Great Hill runs through the location of Round Loaf, which is positioned midway between them.
Unlike Round Loaf, this site has been heavily looted and damaged over the years (Round Loaf is believed to be unexcavated) and all that remains of the once massive structure that stood here is these fallen stones that once formed an entrance tunnel into the mound. On this occasion I'd walked from Jepson's Gate across Anglezarke moor to Round Loaf, where I'd stayed until the time of the solstice, then on the way back happened to pass Pikestones just as the sun was setting.
Coincidentally after my comment about lenses on the previous picture, this was taken with one of my least favourite lenses, the little Sigma 18-50 f/2.8 DC DN. This seemed like an ideal match for the X-T50, but in general I've found the pictures tend to lack something compared to the various Fuji primes I also own, so it tends to stay in the cupboard these days. However, I quite like how it's handled this image, so maybe it's due a reappraisal?
Fujifilm X-T50 + SIGMA 18-50mm F2.8 DC DN
Misty Moors
A return to Coppice Stile where the Aurora image was taken (the Hawthorn tree was immediately to my right when I took this shot). This is looking across Heapey moor to Great Hill, which I'd just returned from. Visibility had been great when I originally set out, but as I sat and ate my snacks on the summit the mist rolled in from nowhere, robbing me of my view. By the time I'd reached Coppice Stile, the visibility had improved, but looking back at Great Hill, the summit was still socked in. This was taken with the Fujinon 56mm f/1.2 at 1.2. It's not a particularly sharp lens at that aperture, but it does give a lovely out of focus transition.
Fujifilm X-T50 + Fujinon XF56mmF1.2 R
Riggindale
This was taken on what would turn out to be one of my last trips to The Lake District this year. I visited Small Water Tarn, high in the hills above Haweswater, taking the heavy GFX kit and tripod along for the ride in an attempt to recreate a glass slide I have that was taken in the early 1900s. The light had been heavily overcast for most of the day and I didn't manage to take anything I was particularly happy with, although I really enjoyed the walked and was spurred on to revisit the next week with a lighter camera and continue up past the tarn to High Street, before descending via the ridge above Riggindale.
Anyway, shortly after setting off home in the car, the clouds broke above Riggindale, bathing the valley in spectacular crepuscular rays. I quickly found a safe place to stop and jumped out with the camera, handheld and leaning on the wall above the reservoir for stability. The light had faded a bit by the time I took this, but it still beat anything else I'd shot that day.
Fujifilm GFX100S + Fujinon GF45-100mm F4 R LM OIS WR
Stacked
Revisiting an old haunt, Duxbury Park for the first time in years (probably about 30 of them!). I'd taken the GFX kit and tripod and was having a great old time finding interesting trees and exploring the river when I came across this little stack of stones. Fortunately the water was shallow enough to wade out to it and set up the tripod close to the water.
Fujifilm GFX100S + Fujinon GF32-64mm F4 R LM WR
Backlit
A handheld snap with the X-T50 from an evening walk around Brinscall woods. This is a characterful tree beside a path that I've always wanted to shoot in mist, but on this occasion, the sinking sun was behind it and backlighting it rather nicely. I'd still like a bit of mist though.
Fujifilm X-T50 Fujinon XF35mmF1.4 R
Spitler's Edge
I've spent the latter part of this year looking for nearby locations that I've somehow failed to explore in all the time I've lived here and this is one of them. Spitler's Edge is part of a path running between Great Hill and Winter Hill (seen here in the distance). I was lucky on this occasion to have bright sun and dramatic clouds.
Nikon Z8 + NIKKOR Z 24-70mm f/2.8 S
The Cthulu Tree
Exploring another little visited location, Spen Cob woods on the shores of Anglezarke reservoir around sunset led me to discovering this particularly angry looking tree. I didn't hang around much longer after taking this as I suspect it might start moving around of its own volition after sunset.
Fujifilm GFX100S + GF20-35mmF4 R WR
If H.P. Lovecraft Did Enchanted Forests
I discovered this creepy tree just round the corner in the same woods as the one pictured previously. While the previous shot was at sunset, this was mid afternoon on an increasingly drizzly day.
Fujifilm GFX100S + Fujinon GF45-100mm F4 R LM OIS WR
The Ancient One
A shot from last week when we were treated to a couple of days of persistent mist, a rare occurrence around here, but one I wasn't going to miss, so I headed out with the GFX and spent a few hours exploring Duxbury woods. On this occasion, I'd climbed a steep and treacherous path up to a point overlooking the woods below in the valley where I found this gnarly and enigmatic tree, overseeing the business of the woods below.
Fujifilm GFX100S + Fujinon GF45-100mm F4 R LM OIS WR
The Misty Riverbank
Another shot from the misty spell we had last week. This was taken after returning to the woods and following the river to find a fallen tree I'd photographed before. I did find the fallen tree and photographed it, but it didn't turn out as I'd hoped. However, along the way I found this little riverside scene that I really like. I'd originally intended to take the shot closer to the marcescent bush in the lower right, but that made the unadorned bush next to it far too prominent, so I took a couple of steps back and found this composition, and the other bush I was now embedded in.
Fujifilm GFX100S + Fujinon GF45-100mm F4 R LM OIS WR