It's very hard to select the best or ideal path, but...
It's very hard to select the best or ideal path, but...
I admire your stamina at those concerts, with all the smoke, sounds and crowds...
That is hard to believe. We're heading into a nice hot spell.
Yes, certainly shimmers. Pretty.
You're a glutton for punishment! B&W works well.
These two are great. Love the flat tree and the colours in the last although I wish that house was a bit further left.
Yeah, I agree, it's not in the most ideal position. At the same time as I took that shot, I also took this wider shot at 70mm. The original shot was only cropped on the left hand side (converting it from 3:2 to 4:3), but I've overlaid roughly the same crop on this wider view.
So you can see, to the left was a rather ugly pole for the power lines, but on the right there's a large metal shed (you can just see a bit of it through the trees at the edge of the frame in the original shot) that's pretty unsightly.
I could crop a bit more off the left, but if I wanted to maintain the same aspect ratio, I'd start to lose the top of the cloud bank which was kind of integral to the image. The cloud bank was already causing its own problems by placing the horizon line at the centre of the image, which I wasn't too happy about.
However, all that said, a square crop kind of resolves the house positioning issue.
A square crop from the wider shot including more of the foreground has much the same effect, but also helps offset the horizon too (complete with annoying power lines that I can't be bothered painting out again).
@Wormsmeat has written: @SteveMonks has written:White Coppice At Sunset
A bonus pic taken with the Nikon Z8 and Nikkor 70-180 f/2.8 from an evening walk around The Nab last weekend. It's really the only successful pic from that outing as I set out at the last minute and managed to miss the actual sunset at the location I'd intended to reach, so I've tacked it on here.
However, on the way up to my intended sunset spot, I noticed White Coppice looking rather nicely lit by the pinkish hues of the setting sun, so I scrabbled around for a nice composition, ending up with this. No filters on this one, as the 70-180 has a 67mm thread, so I can't use my usual 82mm magnetic filters (that fit practically everything else I own) on it without an adapter that I don't currently have and am not sure I want. I don't think this image really needed filters anyway.
The main issue with this image straight out of camera, was a triplet of bright green power lines running the full width of the frame just above the house (White Coppice Farm I believe). C1P's healing mask did a rubbish job of removing these, so I ended up having to roundtrip through Affinity Photo where I used the infill tool to paint them out. The results are still not ideal as I didn't spent too much time on it, so you can see a bit of foliage duplication in some of the trees if you look carefully.
These two are great. Love the flat tree and the colours in the last although I wish that house was a bit further left.
Yeah, I agree, it's not in the most ideal position. At the same time as I took that shot, I also took this wider shot at 70mm. The original shot was only cropped on the left hand side (converting it from 3:2 to 4:3), but I've overlaid roughly the same crop on this wider view.
So you can see, to the left was a rather ugly pole for the power lines, but on the right there's a large metal shed (you can just see a bit of it through the trees at the edge of the frame in the original shot) that's pretty unsightly.
I could crop a bit more off the left, but if I wanted to maintain the same aspect ratio, I'd start to lose the top of the cloud bank which was kind of integral to the image. The cloud bank was already causing its own problems by placing the horizon line at the centre of the image, which I wasn't too happy about.
However, all that said, a square crop kind of resolves the house positioning issue.
A square crop from the wider shot including more of the foreground has much the same effect, but also helps offset the horizon too (complete with annoying power lines that I can't be bothered painting out again).
The square crop works well but personally I don't pay any attention to traditional crops unless I'm selling or entering a competition.
The Bluebells Cometh
Not Too Far Down The Path
Meanwhile, Over In Fangorn...
I find these two the most satisfying of this set. Bluebells are almost at peak here too, though with the weather forecast for the coming week they won't last long.
[quote="@Wormsmeat"]
[quote="@SteveMonks"]However, all that said, a square crop kind of resolves the house positioning issue.
This version for me. The square crop works well.
Covent Garden has been littered with rubbish before Crystal Palace's FA Cup Semi Final game today.
The best comment for this picture, is no comment.
The Black Bubbles
This is name of Finnish band playing psychodelic rock in vein of 70'ies, this band was visiting Tallinn couple of weeks ago. I published initially photos in colour, but band reprocessed them as BW (maybe according to name :P ) and I tried also my version of BW approach. In some cases BW worked better, especially when light was quite dim and lot of smoke, so details are not distinguised anyway and all you have is contrast between artist and background. In one song our local vocalist stepped up, she can be easily distinguished by her haircut and powerful stage presence.
Some great shots in this set. The last one is my favourite probably, although the fourth shot of the guitarist is a powerful portrait.
I am not sure about B&W. I shot all my Jazz pictures with monochrome film, as that was what was required back then. Monochrome needs strong composition and is better for expressive portraits. The grain of fast film pushed adds to the vibe of my old pictures. However colour is better, I think for the type of groups you photograph, as the light and colour are an important component of the show.
The Bluebells Cometh
I went for a wander in the woods on Thursday night to see how the bluebells were getting on. When I last had a look there was the odd one dotted around here and there, but now they're starting to fill out the meadows quite nicely. I don't think we're quite at peak bluebell inside the woods just yet, but another week should probably do it.
Despite these woods being on a West facing hillside, the evening light wasn't ideal for really making the bluebells jump out of the frame, it probably needs to be less overcast, although then you run the risk of getting hotspots all over the place, so there's clearly a Goldilocks zone somewhere between the two extremes. Selectively ramping up the blue saturation in C1P isn't going to help either as these guys are close to saturation on the blue channel as it is.
One other note, these do look a lot darker against the #white background on this site than they do in my editor or other previewing options that I have to hand.
All taken with the GFX100S + 45-100 f/4 + CPL on a tripod. Processed from individual raw files in Capture One Pro 23.
I like the quiet compositions of the Bluebell woods shots. Nice restful pictures, that need some viewing time..