The only disappointment for me, Roel, would be to learn that folks are offering praise insincerely. I have no issue with honest feedback, and absolutely welcome it. I am here for feedback of my own photos, but also to learn how other images are perceived and reviewed.
For this image, I had no initial intent aside from seeing what would happen when I paired the two primary shots. Because most of the background of the house porch/chair shot disappeared with my chosen blend mode, I was left with what I thought was a fun scene: totally fanciful, but with the message of the importance of taking time to relax, contemplate life, enjoy serenity. The contrast of the distinctly constructed harsh-white window and chairs against the hazy painted landscape is separate from any message or mood and, for me, is an eye-catching juxtaposition. I hope it captures attention for a moment, but then the responses are going to be personal. ChrisOly mentioned "a touch of melancholy," which I hadn't felt, but can see it now. Boredom with the whole thing is fine too π
Thank you, Pete. That's maybe a little like Chris's mention of melancholy. Very interesting to contemplate!
Thanks. I'm glad someone else tangles with these challenges - for me it requires dealing with lens flare, blown spots, posterization and other evils, but I still do it.
Thank you Chris. I did take the rest of the day to go watch the grandson's soccer tournament: a very different kind of picture taking!
Fishing fleets are always magnets for me, and I'll chase them down when I have the chance. Most of our Mississippi ports are now so industrialized with government boat building and large transport that you really have to look to find an old fashioned fishing fleet like this. It was fun watching the fishermen get ready for the day and the direct customers buying the last of yesterday's catch are always an interesting lot. Yes, my attraction for geometry plays a role here.
Probably was meπ. The poles, which were unavoidable as the piers that provided a more photogenic angle were chained off midway along, had to be turned into part of the composition, whether successful or not remains questionable... Always so many questions...
Thanks, and you make a good point. I don't know why they had the piers chained off but it was frustrating. Agree, it requires gallery view or you feel like you're looking through jail bars.
Thanks SJ, you spotted what I hoped would be spotted: the two tiers of verticals. We shoot with the constraints imposed by where we are. I have never been one to turn off the camera and leave because of the obstacles, I just find a way to work them in. Sometimes it works, sometimes it doesn't.
Yep, I usually do take the shot anyway, and sort out the warts later. Limited angle, sun in frame, lens flare, noise in shadows, all the stuff that gets in the way. But I persisted nonethess.
Sometimes bad ideas are better than no ideas at allπ
Hi Mike,
I appreciate your feedback. I'll certainly take it into consideration for any future posts I create in the realm of "photojournalism." I wrote the original post hastily just before leaving for a trip, and I admit I didn't give it as much thought as I could have. A softer introduction to the section about beetles and an added summary to the "article" would have improved it.
By the way, that segment about "beetles" was just one facet of the extensive topics covered by our forestry expert. But including all of them here would have been overwhelming. Upon further reflection, I think the summary or title could have been something like "Adapting to a Changing Climate: Insights from a Federal Forester."
Trees that were once well-suited to this area are now facing challenges due to recent warmth and dryness, marked by many years of record-high temperatures. This stress is making them generally weaker and also vulnerable to beetle infestations. When the weather remains warm throughout the whole summer, the beetles can also breed three times over, leading to a disproportionate increase in their numbers. It is a continuous fight against them. In some other areas they have given up already βΉ