We have a couple of surviving outbuildings on the farm that we are unsure about, and this one is the most confusing. Two historical architects have been unable to ascertain what it was. My mother and her siblings referred to it as the playhouse because when she was a small child (about 1930) my grandfather turned it over to the children. But it was built in 1908 as an extension of the original house, connected to the master bedroom by a 10 ft long underground brick vaulted tunnel. So it must have had some function for the farm or house. It is one 12x12 room, with 4 windows, originally just shutters, one door, no chimney, and a brick shelf on all 3 sides about 3 ft high.
Oh well, I suppose the lesson you learned after that experience is - always do your research on their rules when visiting museums, art galleries, theatres and the like, especially if wanting to take photographs.
There is plenty of information on the www indicating photography is not allowed at the museum.
Sounds simple doesn't it? I don't usually google that question for places I intend visiting. Do you? I rely on adequate information at the time of booking. Naoshima as a destination is considerably more complicated than this. It has many different galleries spread around the island. Chichu is only one of these. You need to try to unravel the transport issues of moving around the island and the weird opening/closing/irregular opening and closing plus limited numbers admittance times to exhibits within a venue plus the issues of trying to plan a schedule where some bookings can only be done online for set time slots and others require cash at the door --to get a handle on the issue. Sometimes you find, too late, that different galleries here have different policies on photography, sometimes within the same venue. It's a mess.
There are no shortage of complaints online about the problems of visiting Naoshima galleries. Happily for those coming in the near future, the booking system is said to be changing beginning October 2025. Also, happily, some galleries are now taking payment by card rather than cash but you can't rely on that.
Additionally, when you research the various galleries to get info on them, you come across photos that look interesting. With hindsight, on closer inspection, they have been taken illegally but you aren't likely to realize that until you are at the door.
Yes, especially when travelling overseas and especially when in China. It doesn't take much to attract the attention of Chinese security or police for the wrong reasons.
I travel overseas a lot and I shoot photos overseas a lot. I know the ropes. Naoshima has been a different proposition. As I said, planning involves dealing with a jungle of opening times, travel complexities and variations between and within galleries. There are good reasons the system is being changed from the beginning of next month.
Hai. And a PS. I'm on the island. I had the official paper guides at hand. Dan, you clearly have no grasp of Naoshima. The place is covered in galleries of different types and opening hours. Planning a day is a complex operation made even more so by the peculiar local transport arrangements that mix official and hotel bus services. No, I'm not going to specifically Google for each gallery.
Japan ain't China. And incidentally, in China, you don't just Google for information. There are reasons why you need a VPN there.
Great series with very graceful bird as a main subject. This is my fave for some reason. The shape, the shadows and the angle - they all contribute to very appealing image of bif.
Now, here is cornucopia of photo elements which, incredibly do play together after all.
They certainly demonstrate how these somewhat different items create strange, but cohesive image of city life.
Very intriguing images, but so good to look at. They are like abstract paintings. One constantly discovers new things, shapes, lines, colours etc. I see crusted earth from above, maybe. Imagination plays tricks...
First of all, I like b&w treatment and secondly the interesting assembly of various shapes and intricate lines and shadows which all lead us to discover more and more, longer we look. Cool.
I would guess only, but it does resemble some kind of storage or utility structure.
It's well built and it sits on solid stone foundation which suggests being of somewhat permanent nature.
Nevertheless, tin roof, stone base and wood siding and the fact it's surrounded by trees create great interest by it's simplicity and functionality, whatever it may be.
That's a great image. The just off diagonal positioning contributes to the evocation of speed and the wheeling of the bird. Matching the eyes to the background (I imagine that some PP has gone on here) is perfect. The shot powerfully conveys what the prey might feel.