Figured you must have taken this in a dark room. One second doesn't give much leeway to get everything synchronized. Appreciate the extra how to info.
Thanks,
barondla
I determined that one second is the optimal time to obtain the desired result. A shorter time risks not capturing the moment of the electrical discharge. A longer time risks capturing too much light after the flame is lit.
The scene self-illuminates. As a result, you can only adjust the ISO sensitivity after the aperture has been chosen to obtain a reasonable depth of field and for the noise to be within limits that allow its subsequent elimination without compromising image quality. Several attempts are needed, because the electrical discharge does not occur on exactly the same path and the result is not entirely reproducible.
It is the same technique used in the case of lighting the match, except that in that case I left the shutter open for several seconds.
What I did doesn't work like that. What I did requires a single exposure.
What he did in that clip with the function called "Live Composite" can be done with any camera that allows time-lapse, and from a sequence of images obtained through time-lapse, sets of images can be extracted then manipulated in post in any desired combination.