• Members 905 posts
    March 7, 2026, 7:13 p.m.

    Welcome to the Weekly Black and White Photography Thread

    We’re dedicated to fostering discussions about Black and White photography. This open peer-to-peer forum allows critical feedback on images, leading to discussions on techniques, styles, interpretation, and storytelling. The first few weeks response has been outstanding - keep them coming.

    It’s easy - To participate: post an image or essay with a title, short description, and explanation. All comments must include the image or essay as a quote. Replies may or may not include quotes.

    THREAD GUIDELINES:
    1. This thread is for learning about Black and White photography.
    2. Post one image or photo essay for comments.
    3. Entries can be single images or short photo essays (3 to 10 connected images that tell a story).
    4. Give your entry a clear title and explain the Story it tells.
    5. Provide constructive feedback to others..
    6. Go beyond simple praise or dismissal.
    7. Explain why you like an image or essay.
    8. Negative feedback is welcome (be polite, honest, and constructive).

    We refine our skill-craft through feedback - Analyzing prints pinned on the virtual wall is our approach, but discussions of styles and techniques are also encouraged. While most images are captured digitally, Black and White film can also discussed. The focus is on image.

    Post a photo or photo essay and get comments and feedback. In return, give honest but constructive opinions of others’ images. There are multiple levels of feedback: composition, technique, emotion and storytelling, etc. Explore the image in your head, considering composition, perspective, toning, balance, exposure, and tonality. Consider the story, emotion or opinion the artist is trying to communicate.

    Downloading and reposting - It’s often challenging to verbalize useful comments about images. Instead, it’s often easier to “show.” Unless the original poster specifically states otherwise, participants are free to download, alter, and repost images in replies to express their analysis and critique. The reposted image may remain permanently or be removed after a short period. Downloaded and altered images shall not be used for other purposes or uploaded elsewhere.

    Encouragement - When I first pinned a print on the cork-board for the professor and class to analyze, I was apprehensive. However, it proved to be an effective way to learn and develop my skills and vision. Well reasoned analysis and comments aid the artist in improving their vision, skill, and style. The goal is to promote and encourage people to enhance their artistic vision and skill in Black and White Photography by providing constructive feedback. General feedback is also welcome. Sharing techniques for capturing or processing images that aid in creating good Black and White images or photo essays is appreciated in replies.

    Why focus on Black and White - As Elliott Erwitt said, “Color is descriptive. Black and White is interpretive.” Or as Clyde Butcher often said, "Only in black and white can I see the design and textures. I don't consider color photography art. Black and is interpretation. Color is duplication." It’s an abstraction that simplifies photography by focusing on composition, forms, shapes, tonality, textures, and emotions.

    Clyde Butcher talks about the hundreds of photographers who flock to Inspiration Point in Yosemite National Park for the “golden hour.” However, the composition at sunrise is poor. For Black and White, it’s not about the color of the light, but the quality of the light. Ansel Adams arrived midmorning when the light was “right” to produce his iconic images. His iconic book, “Yosemite and the Range of Light,” had a significant impact on conservation and environmental movements in the West. It also attracts thousands of photographers each year to capture the “Range of Light.”

    clydebutcher.com

    Nick Ut’s “Napalm Girl” captured the horrors of the Vietnam War and profoundly impacted the United States. Stripped of distractions, the image exposed the terror in the children’s faces, prompting critical questioning of government actions. W. Eugene Smith’s “Minamata” warned the world. It exposed a corporation poisoning water and killing residents, highlighting the suffering of the Minamata community for profit. William Henry Jackson’s photographs convinced Congress to preserve Yellowstone as the first national park, leading to the creation of the National Park Service and commitment to wild land preservation.

    Black and White strips away distractions to expose the story. It tells unique stories in various photographic genres, from landscapes to social documentaries to portraiture.

    Additional Resources - It is encouraged to discuss additional resources on Black and White photography in posts, whether in your images or commenting on others’ when those resources aid in the goals of the thread.

    Growing Together - The Black and White thread focuses on growth and learning together. Be active, honest, and respectful.

  • Members 905 posts
    March 7, 2026, 7:24 p.m.

    I Love a Parade

    _DSC2151.jpg

    On a trip to the UK in 2014 we happened to be in Oxford the day of college graduation. The city was a party atmosphere, from new graduates
    "chugging champaign" to tourist taking in the University campus steeped in history - this was the home of Stephen Hawkins, Erwin Schrodinger, Sir Roger Penrose, Sir G.H. Hardy, Lewis Carroll, Sir Andrew Wiles to name few.

    Then we came along this group - who seemed to be on a mission.

    _DSC2151.jpg

    JPG, 3.1 MB, uploaded by tprevatt on March 7, 2026.

  • Members 126 posts
    March 7, 2026, 11:47 p.m.

    Feeling a bit atmospheric. The mood was pretty cool with the mist and passing rain showers mixed with sun.

    DSCF0447.jpeg

    DSCF0455.jpeg

    DSCF0558.jpeg

    DSCF0455.jpeg

    JPG, 9.4 MB, uploaded by Meeces on March 7, 2026.

    DSCF0447.jpeg

    JPG, 11.0 MB, uploaded by Meeces on March 7, 2026.

    DSCF0558.jpeg

    JPG, 14.4 MB, uploaded by Meeces on March 7, 2026.

  • Members 905 posts
    March 8, 2026, 3:56 p.m.

    I particularly like this one. The layering if the ridge liens in the fog. The birds in the sky and the boat in the foreground. The laying caused by the heavy fog gives this image a feeling of depth. Nicely done.

  • Members 223 posts
    March 9, 2026, 12:57 p.m.

    Tacoma Narrows - As I mentioned last week, I was thinking about "bridges" and found this from October 2025. Both pictures are form the same location. One looking out across the water (obviously) and the the other on the beach right behind me where I stood.

    tnb-02-BW.jpg

    wood-sand-BW.jpg

    wood-sand-BW.jpg

    JPG, 6.2 MB, uploaded by cpm on March 9, 2026.

    tnb-02-BW.jpg

    JPG, 4.4 MB, uploaded by cpm on March 9, 2026.

  • Members 905 posts
    March 9, 2026, 2:22 p.m.

    Two of my favorite topic for subject matter. Bridges can be tricky because you have to have the correct vantage point which is often very difficult to come by. This image shows what happens when you get the proper vantage point to show off the geometry of the bridge.

    Weather wood is a wonderful subject with variations of both tonality and texture. However, capturing it can be a challenge. The tonality of this log is really nice. Well seen and well executed.

  • Members 954 posts
    March 14, 2026, 7:19 p.m.

    Darkness falls 03/13/26

    darkness falls 03-13-26.jpg

    Steve Thomas

    darkness falls 03-13-26.jpg

    JPG, 186.7 KB, uploaded by stevet1 on March 14, 2026.

  • March 14, 2026, 10:46 p.m.

    I took the first picture as part of a walk where we only shot B&W.

    EAH50004-1_(Supersize).jpg

    I wasn't over happy about it as I felt the building at the back overpowered the image. So, I cropped it.

    EAH50004-1_cr2_(Supersize).jpg

    Of course, the raw can be anything. And I really felt it would look better in colour.

    EAH50004-1-3_(Supersize).jpg

    So, what do you think? Should it have been cropped? Should it be B&W or colour? Feedback invited.

    Cheers

    Alan

    EAH50004-1-3_(Supersize).jpg

    JPG, 5.1 MB, uploaded by AlanSh on March 14, 2026.

    EAH50004-1_cr2_(Supersize).jpg

    JPG, 4.9 MB, uploaded by AlanSh on March 14, 2026.

    EAH50004-1_(Supersize).jpg

    JPG, 4.7 MB, uploaded by AlanSh on March 14, 2026.

  • Members 905 posts
    March 14, 2026, 11 p.m.

    Alan, I don't think the question is B&W or color, it is the composition. You were right to crop. It would have been better to have been closer. This is the type of image I would get close to the train and use a focal length shorter than the 35, say a 23 or 18 even. That would give more separation in the objects in the composition.

  • Members 954 posts
    March 15, 2026, 1:16 a.m.

    Alan,

    Your cropped version is better. The long lead-in to the train in the original doesn't add anything to the picture. The train is almost an afterthought.
    It's just my personal opinion, but the colors in the colored version are jarring. The yellow and red together are not complementary.

    Your cropped black and white is the best. It grabs at your senses and makes an impact.

    Steve Thomas

  • Members 954 posts
    March 15, 2026, 11:11 a.m.

    Alan,

    You are doing well.

    Steve Thomas

  • Members 905 posts
    March 15, 2026, 2:09 p.m.

    I started photography in 1969 - I'm still learning.