• Nov. 22, 2025, 7:19 p.m.

    "Borrowed" from DPReview

    1. The Vintage Speculator. Scours flea markets and thrift stores, convinced that “glass back in the day had more soul.” Rocks a leather shoulder bag, can identify different species of lens fungus by smell, and and has ordered a Geiger counter. Is proud of flipping a lens for a $20 profit.

    2. The Megapixel Maniac. Buys a 60-megapixel camera, then spends months hunting for lenses that can “resolve every last pixel.” Gets disillusioned, jumps ship to a new brand, and starts his lens collection from scratch. His neighbors know him as "that guy who photographs the brick wall."

    3. The Chart Geek. An evolved Megapixel Maniac. Lives on DxO Mark. Constantly drops lines like “bigger pixels, wider dynamic range,” rattles off MFT sharpness charts for obscure lenses, and casually discusses photon physics at parties. Dreams of medium format, but occasionally has a breakdown and buys a CCD or Foveon sensor camera—“because the colors, man, the colors.”

    4. The Forum Ninja. After work, he eats dumplings, logs into a camera forum, and goes full-on war mode. Might sprint outside at 1 a.m. to photograph a dumpster just to prove his in-body stabilization can handle 1/2 second handheld. Doesn’t sleep until he’s either crushed the competition or bored everyone into silence. First thing in the morning? Checks the forum.

    5. The King of Bokeh. Just as an Inuit is said to distinguish 40 shades of snow, the King of Bokeh discerns creamy, buttery, swirly, cat's-eye, clinical, vintage, nervous, moist bokeh, etc. Is fascinated by the number of aperture blades and dreams of owning «that Zeiss lens Stanley Kubrick used».

    6. The Orthodox Minimalist. Owns one camera and one lens (usually a 35mm or 50mm). Brags about shooting from the hip without looking. Never shows the results to anyone or deletes them immediately.

    7. The Lightfeet. Chases the lightest, tiniest cameras possible. “The best camera is the one you have with you,” he says. Started with point-and-shoots, got dust in his Ricoh, switched to mirrorless with a pancake lens. Carries a power bank because tiny batteries die fast.

    8. The Green-Auto Girl. Received an expensive camera as a gift. Shoots in JPEG with the kit lens. Because nobody has gifted her another lens yet.

    9. The Photo Hipster. Buys silver Leicas and Fujis. Orders handmade leather straps. Knows all the good coffee shops. Takes pictures of his camera with his iPhone.

    10. The Perpetual Researcher. Spends six months deep-diving into review sites and forums. Creates threads like "The Perfect $2K Travel Kit" and "Sony A7IV vs. Nikon Z6II - FIGHT!" and constantly asks for RAW files to pixel-peep. Sales associates at the camera store see him coming and suddenly need to take their lunch break. After all that, he concludes, "The tech just isn't there yet," and buys a smartphone instead.

    11. The Aspiring Dad. Bought a full-frame camera to take pictures of his kids. Took it to the park a couple of times. The child in the stroller is now in focus, but the dog is still blurry. Timidly offers his friends a "free photoshoot for practice" and blushes at the word "payment." Secretly watches courses on commercial photography and is saving up for a portrait lens, all while trying to convince his wife it's "an investment in the future."

    12. The Big Boy. He is certain that professional photography begins where the limits of the human spine end. His camera is a monster with a battery grip, a lens hood the size of a bucket, and a strap you could use to tow a car. His bag holds a "holy trinity" of f/2.8 zooms. He's mentally prepared to cover a conflict zone but is just as likely to be found taking 200 shots of a squirrel in his backyard.

    13. The Mad Scientist. His motto: "It's not the gear, it's the vision." Frankensteins lenses onto coffee cans, slathers filters with Vaseline, and stretches pantyhose over the lens for a "dreamy glow." Tells the pharmacist the supplies are "for an art project." His proudest work is a series shot through a glass of bourbon.

    14. The Prime Principlist. On a quest for the perfect set of prime lenses. His eternal curse: 28mm is too wide, 35mm is too tight, and 30mm would be perfect but doesn't exist. His favorite parlor game is "Which Two Lenses Would You Take to a Desert Island?" Believes zoom lenses are a moral failing and the tool of the uninspired.

    15. The Vacuum Cleaner. His closet holds 10 cameras, 30 lenses, a sack of flashes and filters. Buys everything thinking, “Might come in handy someday.” Occasionally sells a couple lenses to “streamline the collection,” then buys twice as much a week later. Delighted when he finds an old camera in a drawer he forgot existed. “Oh, I still have this? Perfect!”

  • Nov. 22, 2025, 9:43 p.m.

    Parts of 3, 4, 6, 9, 10 for me. Sure bits of 1, 5, 11 and 15 ring some bells too :)

  • Members 2612 posts
    Nov. 22, 2025, 10:05 p.m.

    camera x is better than camera y by just reading the spec sheet, you need to have a camera that shoots 100 fps when you never shoot over 5, or the sensor readout speed must be "0" or the camera is useless, in 20 years not one photographer i have met has ever heard of DPR forum yet they think its as popular as pepsi. but just for you alan, i was thinking about selling my backup camera a6700 and just using my daughters unused fuji xt20 so i had a play with it last night, i will sick with my a6700 the menu system is that bad i couldnt even set the camera on aperture priority, change colour profile to nil, even set the evf to wysiwyg. its like playing tennis when the rules are for cricket. back to the topic i must be a Dumb photographer 😁

  • Members 1189 posts
    Nov. 22, 2025, 10:12 p.m.

    3
    The [Technical] Geek. An [anti-megapixel maniac]. [Hates DxO Mark and Adobe]. Constantly drops lines like “bigger pixels, wider dynamic range,” rattles off [MTF] sharpness charts for [anything], and casually discusses photon physics [on-line]. [Never] dreams of medium format, [Has bought] a CCD or Foveon sensor camera “because the colors, man, the colors.”

  • Nov. 23, 2025, 9:41 a.m.

    You were holding it upside down, obviously 😂
    Seriously? You can;t work out how to set aperture mode on a fuji? Or was it a joke that I missed.

    Alan

  • Members 355 posts
    Nov. 23, 2025, 6 p.m.

    From a friend who falls into the No. 1 category, both in photo and audio.😎

    Collection.jpg

    I fall into a different category, which is not included among those mentioned.😀

    Collection.jpg

    JPG, 1.2 MB, uploaded by 3DGunner on Nov. 23, 2025.

  • Members 827 posts
    Nov. 23, 2025, 7:22 p.m.

    I don't fit any of the above (at least, I don't think so!). With regards to gear (as opposed to "What kind of photographer are you?") I am, however, always on the quest for "the perfect system". As luck, or, more to the point, technology, would have it, I'm pretty much there. I do want "more IQ" than what my system delivers, and I want more speed. But, mostly, I want the same IQ and operation in a smaller package -- 2/3 the size of what I own would be ideal. If I got that, I could call it a day.

    However, I'm constantly thinking of something like a Z7.2 (or, likely better still, a Sony A7.5 when it comes out) plus the Tamron 35-150 / 2-2.8. I would likely use that for 90% of my photography (I used the Tamron 35-150 / 2.8-4 VC on my 6D2 for 90% of my photography before I switched to my current RF mount system). But, my current system, while not as convenient as do-it-all (almost) single camera/lens combo, is significantly smaller/lighter in hand, and it's hard for me to choose which is the better path.

    For example, my main combo is the R5 + RF 24-105 / 4L IS. Very, very convenient! But, it's only f/4, so, if I want faster, I need to slap on a prime (and primes, in case you didn't know, don't zoom) and it caps at 105mm. But the 24mm on the wide end is more useful to me than the 150mm on the long end. However, the f/2-2.8 would be more useful to me than the f/4. In the end, size/weight tips the balance to my current setup, but, maybe, if I had the 35-150 setup, I would like it better. Don't know.

    So, that's where I'm at right now. To be honest, I have [more than] all I need, and I've quite happy with it. But I keep looking sideways. You know, like you have a girlfriend with an amazing athletic body, but then there's this other girl calling you who is, shall we say, a bit top heavy. : )

    In the end, I think I'll succomb to ¿Por qué no los dos? And, if money were no object, well, yeah! : )

  • Members 2401 posts
    Nov. 24, 2025, 5:52 a.m.

    Well maybe a little 15, but I hope I do not fall into any of the others. I have accumulated too much gear over the 45 years that I have been taking pictures. Lots of stuff that is now redundant, like my darkroom gear, but which I an loath to throw in the skip, and I cannot be bothered to Ebay it. But with cameras and lenses, I am pretty brutal in using redundant gear for trade in, even if it nets very little.

    Over the years, I have become less interested in gear for gears sake.

  • Members 2612 posts
    Nov. 24, 2025, 7:39 a.m.

    Im serious, i can hold a workshop and pick up any brand and go straight to the settings i need to show a person. i even played with the xt 20 again and just gave up. how do you even set the camera up for manual flash or studio strobes using auto lcd/evf brightening 🤔i for the life of me couldnt even set the picture profile to standard without the stupid film sims playing in preview. i left it at her place. what happened to simple MSAPA dial🙄 i even just put it in auto and a film sim was still there 🤨

  • Nov. 24, 2025, 9:06 a.m.

    In Fuji cameras, choose Provia - this is the standard rendering. Just FYI :)

  • Members 2612 posts
    Nov. 24, 2025, 10:18 a.m.

    no wonder i couldnt find standard 😆

  • Nov. 24, 2025, 11:06 a.m.

    I find provia gives a slight magenta cast. I prefer Reala Ace, but that probably isn't on an X-T20.

    Alan

  • Members 2612 posts
    Nov. 24, 2025, 8:18 p.m.

    using it as a backup camera it has to have natural colours as im shooting dancers in a studio and costumes need to be the correct color. i also stream live view and cant have any filter/color shift.

  • Members 1189 posts
    Nov. 24, 2025, 10:19 p.m.

    Kodak plain document in RawTherapee (RT) WB
    kodak 0.1 density step wedge WB .jpg

    Then with Xtrans III Provia HaldClut applied
    kodak 0.1 density step wedge Provia .jpg

    kodak 0.1 density step wedge Provia .jpg

    JPG, 136.3 KB, uploaded by xpatUSA on Nov. 24, 2025.

    kodak 0.1 density step wedge WB .jpg

    JPG, 107.9 KB, uploaded by xpatUSA on Nov. 24, 2025.