Moving

Very nice lines (vertical and horizontal). That caught my eye! Did you concentrate on holding the cameral level (and maybe crop the image?) or did you adjust keystone in post? I'm asking, because... I do those things! I try to keep the camera level in some instances where appropriate (when lines are important) unless I am intentionally shooting "up" or "down" (and then the convergence is part of the picture). The red doors (level 1) are just slightly "off" (need to talk to the architect or the construction contractor about that) but the light pole is pretty darn straight (plumb). LOL. And... the runner is "moving" -- I like it! :-)

I usually level the camera and check the frame edges for parallelism using reference lines to minimise distortion and apply keystone corrections. However, I couldn’t make these adjustments as I spotted the runner and had to quickly compose the shot while he passed in front of the doors. I applied keystone correction in Lightroom . I’ve attached a non-edited version for reference. As you can see I edited quite a bit.

¡Hola Kadir!
I love the scene, the nighttime atmosphere, and the solitude of that small figure of the runner passing in front of the straight lines that make up the huge building... but, in this case, I prefer the wider framing and the overall lighting of the original image.