These five are all really really well done.
My favourite must be the fourth, because of the foreground interest of those weird rust-coloured rock formations against the glorious backdrop.
These five are all really really well done.
My favourite must be the fourth, because of the foreground interest of those weird rust-coloured rock formations against the glorious backdrop.
I can only encourage all our other participants to click on your links and get transported to magical places, caught with excellence.
Of the two that you included, the one repeated here is my favourite. It's a good harmonious balance between elements of earth and sky.
@cpm has written:Some really great conversation here from MikeFewster in regard to panoramas -- THANKS for your keen insights/perspectives. We're probably getting a little burned-out on the subject, but I will post ONE MORE (from me, at least) -- taken on a short 2-day road trip in Eastern Washington (August 2025). This is Banks Lake -- looking north along HWY 155 (about 10 miles north of Coulee City). I'm guessing offhand that it is probably reduced to 30% or 40% of original (MP's) and then JPEG compressed to reduce the MB's. Panos are fun! I have glued-together hundreds and hundreds of them over the past 20 years. A very satisfying hobby. Now, all I need is that HUGE gallery I alluded to in a prior post and some sort of highway billboard printing system... along with ways to display the end-product (mounting/framing and lighting). And then I will realize... I really need a MF camera! LOL. It's all fun. 😀
Very nice. The beautiful huge curve of water that dominates the image is a wonderful visual guide through it. That point is a visual point of interest to draw us in. Well composed and well constructed.
I agree.
The way the eye is guided through the image feels like calligraphy, with confident pen strokes.
@MikeFewster has written:The satin bower bird.
Taken at Lamington National Park. Queensland
There's a message here.The performance stage
Lures, bribes and promises.
The guilty party. Male.
This is a stage, not a nest. The male satin bower bird takes no part in raising the young.
Impressive how that bird collects blue tidbits to create that stage (I suppose: for baltzing purposes?)
Are those birds that used to human presence that it would use a random hand as perch?
Not generally but in this section of the Lamington National Park, Qld where very tightly controlled feeding of some species is licenced, they will come to your hand (or sit on your head.)
@cpm has written:I will join the pano parade! Here's just a few that I quickly grabbed off the hard drive. I was fairly addicted years ago (started shooting panos in 2005) but have received some needed medication 😉 and don't do it quite as often nowadays. But sometimes, I'll do a tele-pano for distant details, or it's just a couple of frames stitched in order to get a higher-rez image (then cropped to standard 3:2). Still, it is always a fun technical exercise to process/assemble them (properly) and of course always fun to capture initially. A great hobby. I will go to the beginning and look at the rest of the thread!
These five are all really really well done.
My favourite must be the fourth, because of the foreground interest of those weird rust-coloured rock formations against the glorious backdrop.
As a generalization about panoramas, I think it is significant that most seem to prefer some strong vertical elements along with the general horizontal movement. As always, that's a "rule" that invites being turned on its head.
Garden bees with a nice soft bokeh
These are excellent, especially the first, with the bee and flower crisply sharp in front of the creamy out of focus background. The composition is very simple and effective.
The satin bower bird.
Taken at Lamington National Park. Queensland
There's a message here.The performance stage
Lures, bribes and promises.
The guilty party. Male.
This is a stage, not a nest. The male satin bower bird takes no part in raising the young.
The behaviour of the bird and its selective colour decoration is fascinating and well illustrated by your photos.
Free flow
Walking downtown today a cascading water fall caught my attention...
I wasn’t sure whether this really was water, or marks on the stone that looked like water! It is a very different water feature and your photo could be enjoyed as an either figurative or as an abstract image.
A bit late to this week's party, the site was down when I tried to post last night and I'm traveling so busy all day. Here's where I woke up this morning, at Ruth Lake on the upper peninsula of Michigan. I thought of cropping it to a panorama to go along with this week's discussion but I liked the negative space.
I understand your quandary deciding between negative space or panorama. Both work well. The advantage of the panorama when viewing is the delicate details of the trees are more easily seen. An idea for a compromise keeping both is shown below.
I wasn’t sure whether travelling and visiting all week so I am afraid I am late with these comments and am about to board the ferry and lose the signal, so must cut it short.
I don’t have time to comment on all the panoramas, but there ha been a really good discussion on those, so I don’t feel bad about it. Suffice to say I like panoramas and I enjoyed seeing these.
However, shooting from Topkapi, it seems that many of the familiar landmarks of the city (Blue Mosque, Other Mosque nearer to the River, Agia Sofia, and Topkapi itself) are hard to get into the frame. Or am I missing them?
You can see Blue Mosque to your left of the flag on the hill. Hagia Sofia is behind it, but you can not see it.
@RoelHendrickx has written:However, shooting from Topkapi, it seems that many of the familiar landmarks of the city (Blue Mosque, Other Mosque nearer to the River, Agia Sofia, and Topkapi itself) are hard to get into the frame. Or am I missing them?
You can see Blue Mosque to your left of the flag on the hill. Hagia Sofia is behind it, but you can not see it.
I’m afraid you’re mistaken. From this point, none of them are visible. The yellow area shows the viewpoint while the blue area shows the location of the Blue Mosque and Hagia Sophia.
I’m afraid you’re mistaken. From this point, none of them are visible. The yellow area shows the viewpoint while the blue area shows the location of the Blue Mosque and Hagia Sophia
The only Mosque I know of in Istanbul which has 6 minarets is Blue Mosque. I circled it on the picture.
The only Mosque I know of in Istanbul which has 6 minarets is Blue Mosque. I circled it on the picture.
Grand Camlica Mosque?
@Daneland has written:I’m afraid you’re mistaken. From this point, none of them are visible. The yellow area shows the viewpoint while the blue area shows the location of the Blue Mosque and Hagia Sophia
The only Mosque I know of in Istanbul which has 6 minarets is Blue Mosque. I circled it on the picture.
It was before Camlica Camii. It is on the Asian side of the city.
@Sagittarius has written:The only Mosque I know of in Istanbul which has 6 minarets is Blue Mosque. I circled it on the picture.
Grand Camlica Mosque?
Yes thats correct.
Staying corrected.